Here There Nowhere: Paintings by Michael Brophy
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Essays by Jonathan Raban and William L. Lang
2008. 12 x 12 inches. 60 pages. Full-color art.
ISBN 978-0-87071-295-1. Paperback, $25.00.
A Nobius Projects Book
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Michael Brophy has painted the Pacific Northwest landscape for over two decades, from sumptuously rendered panoramas of clearcuts and slag heaps to comic-book-scaled noir tableaus of the characters who reshaped the region 150 years ago. This large-scale monograph brings 15 of his most historically expansive paintings to date together with writings on the artistic and cultural history of the Northwest landscape by essayist Jonathan Raban and historian William L. Lang.
The influences on Brophy’s painting stretch from Goya and Velasquez to Robert Colescott and George Baselitz. He has riffed on everything from obscure Wobbly songs to Chinook jargon dictionaries to the writings of Stewart Holbrook. But
Here There Nowhere marks a bold new direction in Brophy’s work. More sweeping in scope and minimalist in style, the paintings portray what he calls the “Big Empty,” the dramatic, vacant spaces of the Northwest’s eastern deserts and western coast but with an eye toward the coming endgame of Manifest Destiny.
Raban’s essay,
Battleground of the Eye, traces two centuries of artistic conflict between the verdant, people-free Northwest most painters chose to portray vs. the fully populated and exploited landscape that actually existed. Lang’s essay,
An Insatiable Hunger: The Consuming Myth of the Northwest, probes the changing mythology of Pacific Northwest landscape as it has progressed from an apparently infinite resource for extractive industries to a playground for an expanding consumer class.
Designer John Laursen has translated the sweeping power of Brophy’s work to the scale of a 12-by-12-inch book with the 200-line reproductions imaged direct to plate and printed by Portland’s award-winning Millcross Litho.
“Brophy paints ruin as if it were eternal, as if there were nothing to recover, as if beauty persists, generous and spacious, even when the landscape of our longing does not.”
--Charles D’Ambrosio
“A painter of anti-heroic subject matter on a heroic scale, wittily and effectively chronicling the fate of our environment.”
--Art in America
Michael Brophy was born in 1961 in Portland, Oregon, and is a lifelong resident of the city. His exhibitions have included
Lewis and Clark Territory: Contemporary Artists Revisit Place, Race, and Memory;
Baja to Vancouver: The West Coast and Contemporary Art; and
The Grand View: Bierstadt to Brophy. His paintings hang in the collections of the Portland Art Museum, the Seattle Art Museum, the Tacoma Art Museum, and Portland City Hall.
Jonathan Raban is the author of
Soft City,
Arabia,
Foreign Land,
Old Glory,
For Love and Money,
Hunting Mister Heartbreak,
Bad Land, and
Passage to Juneau; he has also edited
The Oxford Book of the Sea. Raban has received the National Book Critics Circle Award and the Heinemann Award for Literature. He lives in Seattle.
William L. Lang is a professor of history at Portland State University, where he teaches environmental and public history. He is author or editor of seven books on Pacific Northwest history, including
Great River of the West: Essays on the Columbia River and
Two Centuries of Lewis and Clark: Reflections on the Journey of Discovery.
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